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Sly Cooper: Love Crept In

A comic script by Gideon Kalve Jarvis

Commissioned by BLADEDGE

Author's Note: Sly Cooper and related characters are copyright © Sucker Punch Productions. The author makes no profit from this work.

Page 1

Panel 1:

Seen from behind, Sly Cooper is crouched on a ledge overlooking the city, with a well-lit apartment building right in front of him. He is holding a pair of binoculars in one hand, the other holding his cane on his shoulder as he looks through the binoculars. Sly is wearing his typical attire: blue turtleneck with gold collar and cuffs, blue billed cap and boots, and red thigh holster for his equipment. Whether his "goodies" are showing (since he never wears pants, using "cartoon nudity" to cover himself up normally), I leave to the artist and the commissioner.

Sly (text box, colored the blue of his clothes): The life of a professional like me is an exciting one.

Panel 2:

Seen from the front. Sly now has the binoculars to his eyes, and the picture is a closeup on his face. Reflected on their surface is the sight of Carmelita Montoya Fox as she closes her apartment door behind her, looking a little surly, her cheeks flushed. She also is dressed in her typical attire of gold-tan jacket and boots, blue midriff-exposing top and pants, red belt, and gold earring in her left ear. Her red-and-yellow shock gun is visible, attached to her belt on one of its two silver clips.

Sly (text box): But sometimes, it's nice to take a night for myself.

Panel 3:

Interior of Carmelita's apartment main room, the windows in the background, Sly barely visible as a silhouette on the opposite rooftop, binocular lenses visible. The room is fairly small, with a table, a couch, a chair, and a television. There are two doors leading from the main room, one to the kitchen, which lacks a door, the other to the bedroom, which has one. Carmelita has started undressing, and her jacket is hung on a peg next to the door, while she's just placing her gun on the table. Her boots are also removed, sitting on the floor next to the door. Her expression is slightly irritated, with flushed cheeks.

Carmelita (text box, colored the orange of her fur): That Sly! Even when he helps me collar other badguys, he's always one step ahead of me!

Panel 4:

From Carmelita's rear, to show off the sway of her hips and bushy fox tail as she walks into the bedroom (bed visible beyond).

Carmelita (text box until further notice): At least the crooks we caught earned me a raise. And, more importantly, a long weekend.

Page 2

Panel 1:

Seen from the side at a slight diagonal angle, to let her cleavage be visible, Carmelita is standing in her fairly sparsely-furnished bedroom, just finishing unzipping her top, letting it hang open, without quite exposing her nipples. In the background are the room's windows, Sly's silhouette visible as he jumps to another rooftop.

Carmelita: Sometimes a girl just needs a night to herself.

Panel 2:

Now seen facing straight toward Carmelita, Sly's silhouette visible behind her through her bedroom window on a much closer rooftop, the binoculars' lenses gleaming as he resumes watching. The halter top is still hanging on, though only just barely. Carmelita has her pants' zipper down all the way, exposing most of her lighter-furred pubis, without quite showing off everything. Her other hand is caressing her stomach, her eyes now heavy-lidded, her expression slightly sad.

Carmelita: Oh Sly, why do we have to be on opposite sides of the law?

Panel 3:

Seen through Sly'x binoculars. A view from the rear, the open flaps of Carmelita's top hanging down, but her breasts mostly obscured because she's turned away as she bends over, pushing her pants down to the floor. Carmelita is wearing very tight-fitting, skimpy panties, which have a large print of Sly's "calling card" on the back. Her panties are slightly damp, and clinging to her body quite snugly, like a second skin, which makes them ride down a lot in back, exposing a fair amount of "cheek."

Carmelita: Sly! It's your fault we can't be together!

Sly (also a text box): I knew it!

Panel 4:

Seen from Carmelita's front, so the window is visible behind her, her rear end pointed toward it, tail hiked high, with Sly's face close to the glass, his eyes glued to her rear as the vixen pushes her panties down to her ankles. Her top is now lying discarded nearby, her breasts hanging freely, and fully visible at last. There may be a hint of what Sly sees reflected in the mirror. Carmelita is biting her lower lip.

Carmelita: After what happened tonight, I...

Page 3

Panel 1:

A single very large panel. On the bottom part is Carmelita's face (she is standing now), her eyes closed, her cheeks deeply flushed once more, her lips pursed as she relives the memory. Most of the upper part of the picture is taken up with a picture of Carmelita in her uniform, her shock pistol extended in one hand. Her other hand is on Sly's chest. Sly, also fully clothed, is holding the pistol up with one hand, the other around her waist, while he's slipped into Carmelita's guard, and is kissing her passionately. Sly's eyes are closed, and he's obviously putting his all into the kiss, while Carmelita's eyes are wide open, and she seems to be completely paralyzed with the act, her free hand hanging limply, her cheeks as flushed as they are in her "real world" picture below. The upper picture (which should take up most of the page) is likely tinged with roses or sparkles or something similar - Carmelita indulging in a romantic girl's fantasy.

Carmelita (spoken, lower picture only, putting a heart to dot the exclamation point): Sly!

Page 4

Panel 1:

Now back in the real world, we see Carmelita from the front, completely naked, looking down wryly at the soaking wet fur of her sex and inner thighs. Behind her, the window is half open, Sly's hand visible as he raises it slowly and silently.

Carmelita (spoken until further notice): This is all your fault, you dirty raccoon.

Panel 2:

Shot from behind at a slight side angle, as Carmelita walks into her bathroom, the glass-doored shower visible through the open door. The panel is framed by a shot from behind Sly Cooper as he is now straddling the window, half in, one foot on the carpet of Carmelita's room, smirking eagerly as he eyes Carmelita's tail while she walks.

Carmelita: One day, ringtail, I'll take everything you owe me. With interest.

Panel 3:

Sly Cooper is now the primary focus, seen from the rear at an angle (to allow his penis to be visible) as he stands next to the bed. In the background, Carmelita can just barely be seen bending over, tail flicked to the side, the shower door open as she adjusts the faucets. On the bed is Sly's cane (he doesn't take off his gloves and boots, though). He is bent over, showing off his taut tush and full sac, while he has his shirt over his head, and most of the way down his arms. Though he is the focus of the picture, his eyes are fixed on Carmelita in the background. His penis is very erect, and he is smiling in a seductive manner, his eyes half-lidded as he admires her presented rump.

Sly (text panel): You'll soon discover, Carmelita: I always repay my debts.

Panel 4:

Shot from the front of Carmelita, still bent over, though less than before, her hand under the water of the shower as she tests its warmth, her naked body on full display. Behind her, visible through the door, Sly is just sneaking through the door, still erect, his eyes fixed on the unsuspecting vixen.

Sly (still a text panel): With interest.

Page 5

Panel 1:

Sly is no longer visible. Carmelita steps into the shower, the view from the rear, one hand on the shower door as she closes it behind her.

Panel 2:

Seen from the side, Carmelita cups her breasts, the nipples quite erect, her mouth slightly open, her head bent slightly forward.

Panel 3:

View from the front (making sure not to show the upper part of the shower) as Carmelita strokes her hands down her belly, her wet fur making her toned abs clearly visible. Also clearly visible is the cleft of her sex, one hand higher up on her stomach, while the other is _almost_touching that tender spot. Her mouth is closed, her eyes heavy-lidded, her expression one of concentration.

Panel 4:

Back to the side, a shot of Carmelita's body from the waist up. Carmelita's mouth is open, her head tilted back a little as she visibly _gasps_at whatever it is her hands are doing down there, where we can't quite see.

Page 6

Panel 1:

Full-page panel. A full frontal view from below, pulling back the angle so we can see Sly Cooper, naked and erect as he holds himself squeezed against the top of the shower, using its borders as contact points to keep himself suspended there above Carmelita, still wearing his gloves and boots to provide the needed friction. Carmelita, meanwhile, has her back arched, her sharp teeth bared as she cries out loudly, one hand working vigorously between her thighs, the other squeezing one breast very tightly, her juices visibly gushing.

Carmelita (spoken): SLY!

Page 7

Panel 1:

Larger panel, taking up the top half of the page. Seen from the rear at an angle, Carmelita is bent half over, her tail out of the way, everything on display as she rests both her hands against the clear glass of the shower wall. She's panting hard, her eyes almost closed.

Carmelita: It's not enough...it can never be enough...I need that ringtail so bad!

Sly (from offscreen): Whatever milady wants.

Panels 2-4:

A pair of quick splash shots, with spiky action lines around them. First, one of Sly Cooper's hand on Carmelita's shoulder (he's still wearing his gloves), her head now turned in shock. Then another, of Carmelita's handcuffs snapping around her wrists, locking them behind her back. Finally, one of Sly's hand grabbing Carmelita's tail, pulling it up.

Page 8

Panel 1:

Seen from the side. Holding Carmelita bent over by her wrists, her breasts pressed against the side of the shower glass, keeping her from getting any leverage, Sly caresses Carmelita's bottom with the other hand. Carmelita is looking angrily over her shoulder at Sly, glaring at him. Sly has a pleasant smile on his face, and seems completely unconcerned, his obvious erection not something he has to have sated immediately (though it's pretty obvious he's as aroused as Carmelita right now). Carmelita's tail is to the far side of Sly's hip, out of the way.

Carmelita: Sly Cooper!

Sly: In the flesh.

Panel 2:

The following three panels are split-screen. One side shows Carmelita's face, to focus on her expressions, while the other shows her upraised rear end, and what Sly is doing to it.

On one side, Carmelita's face, with deeply flushed cheeks, is half-turned as she barks out orders to Sly, her expression angry and embarrassed. On Sly's side, his fingers are poised at her sex, about to slide inside.

Carmelita (sharp anger voice bubble): You filthy ringtail! Don't you-

Panel 3:

Carmelita's face now registers total shock, her mouth mostly closed, her eyes wide open. Sly's fingers have just slipped inside Carmelita, and are obviously working just right within her. Sly's face can just barely be seen on the edge of the shot.

Panel 4:

Now Carmelita's face is turned up, her mouth wide open, and she is obviously moaning loudly. Not only is Sly's finger working in Carmelita now (visibly moving at a different angle than before), his mouth is too, his tongue extended as he licks the vixen's clitoris.

Page 9

Panel 1:

A large panel. Dutch angle upward, to show Sly and Carmelita from behind, Sly's erection and sac clearly visible, his hands both holding Carmelita's butt, while he has his muzzle pressed tightly against her cunny, obviously really going to town on her orally. Carmelita's whole body is tense, her jaws clenched, her juices gushing out around Sly's muzzle.

Panel 2:

Set to the left side, so as not to obscure the view of Panel 1. A closeup of Carmelita's face, her teeth still clenched.

Carmelita: Sly, you bastard...

Panel 3:

A closeup of Sly's face, while he wipes his mouth with the back of his hand, smirking smugly.

Sly: You always say the sweetest things, Carmelita.

Page 10

Panel 1:

A closeup on Sly's penis as he holds it with one hand, rubbing it against Carmelita's flushed cunny. His other hand holds the base of her tail. A smaller side panel shows Carmelita's face, angry once more, but more tired, her resistance obviously worn down, her tongue out as she pants hard.

Carmelita: When I get free, ringtail, I'll...

Sly (breaking in): I'll stop, if that's what you want. You know I'd never do anything you didn't want, Carmelita.

Panel 2:

Two images, side-by-side. First, a closeup of Carmelita's face, registering her shock at this revelation. Then a slightly side view as she lowers her head submissively, closing her eyes.

Carmelita (the second image): ...don't stop...

Panel 3:

Much like a mirror image of Panel 1. A side panel, on the opposite side from Carmelita's in Panel 1, with Sly'x face, his teeth bared and tightly grit, his face showing ecstasy and erotic tension. The main image in the panel shows a closeup as Sly grips Carmelita's rump tightly, thrusting into her all the way, his butt obscuring our view of hers somewhat.

Panel 4:

Shot from above, giving a bird's eye view. Blurred motion lines show vigorous, frantic action as we focus on Sly's hips slapping Carmelita's bottom, making it bounce.

Page 11

Panel 1:

Same view as Panel 4 of Page 10, but this time from directly below, showing Sly's balls and Carmelita's breasts swinging.

Panel 2:

From Carmelita's front, seen through the shower glass, as her breasts are squeezed against it, her mouth open, her tongue lolling out, obviously blissed out on more pleasure than she's ever felt before in her life.

Panel 3:

A larger panel, shot from the side, showing both Sly and Carmelita now on their knees, one of Sly's hands back to holding her wrists to keep her up, while the other holds onto the vixen's tail, using it like a handle. Both Sly and Carmelita have their heads thrown back, their mouths open, their eyes closed, as spurts of Sly's cum gush out around his penis. In the background, if it's possible to fit, is an internal shot of Sly cumming in Carmelita's sex.

Page 12

Panel 1:

Sly and Carmelita, lying with Sly spooning behind his lady, both of them smiling gently, happily. The mood is sweet and soft with afterglow. Carmelita's eyes are closed, and she is obviously asleep. Sly's are open.

Panel 2:

Shot from behind Sly Cooper as the still-naked raccoon carries the equally-naked Carmelita cradled in his arms, seen through the bathroom door as he heads toward the bed. The lights are dimmed now, and a towel can be seen discarded on the bathroom floor on the edge of the image closest to the viewer, hinting that Sly dried Carmelita off while she was sleeping.

Panel 3:

In one corner, a small image focusing on Sly's and Carmelita's heads, as he kisses her forehead, one hand lightly lifting her hair to allow this. The main panel shows Sly closing the window in the background, fading into the night, while in the foreground, Carmelita sleeps, facing toward us, a blanket tucked over her body to keep her warm. In the opposite corner, we get an extreme closeup of Carmelita's eyes, which open slightly.

Panel 4:

Carmelita hugs her pillow tightly, curled up naked on the bed, the sheets tossed aside. A smaller image closes out the comic, showing Carmelita's nightstand by her bed, with one of Sly Cooper's calling cards on it. It has the words "I Love You Too" printed on it in an elegant script.

Carmelita (from first panel): I love you, Sly Cooper.