No CGI (male) 10
Story by Tagenar on SoFurry
You salvaged your TNG script in a dinosaur porn movie. Well done. High class dino porn could be your calling.
No CGI (male) 10
by tagenar (https://www.furaffinity.net/user/tagenar | https://tagenar.sofurry.com/)
{You salvaged your TNG script in a dinosaur porn movie. Well done. High class dino porn could be your calling.}
A bottle of Dom Pérignon slides out of the wine refrigerator. A three-fingered hand removes the foil, and then the cage, and then slowly twists the cork off, sending it flying across the room and over a dozen dinosaur and human heads.
The yellow-scaled hand pours five glasses. Other three-fingered hands take the glasses and stalk toward the television in the living room.
A muzzle sniffs the glass of sparkling wine so deep it practically inhales the liquid. General chatter ensues among the large group of reptiles and humans regarding how this scent is so rare and complex and nuanced.
The raptor passes the glass to another dinosaur, who sniffs the wine and then hands it to another.
Each glass moves around the room in this way, with every dinosaur taking a long drag. Finally, the first glass ends up in your hand. You have never had vintage Champaign before, and it smells clean compared to the cheap stuff. You sip. It tastes clean, too. You wonder how long R has had this bottle, and if this is a good occasion to open it, as you hear this stuff is expensive.
R’s unit is packed with so many dinosaurs the humans must stand in the cracks between theropod bodies. It feels like being in a cattle pen, but with brighter colors moving around, and with obvious groping happening. You realize almost all of the people here are involved with a dinosaur in some way. You wonder if this is the common reason for a human’s eyes to be open.
You catch a glimpse of O on the other side of the room, chatting up E.
You notice J talking with X, asking him if cameras will be at the sparring. Of course they will be, X is saying, and then J tells him to bring more cameras, and you can just barely hear him mention he will ask if you want to help capture the event.
Charles is also here, drinking a V8, you notice.
The raptor women aren’t around. You were told they are living in the metro park north of here, and they’ll be there until their heat passes.
Lawrence couldn’t make it, and he turned down R’s offer for a threesome, but he still indulges you and E at the club. E is trying to convince him to join R at the gym so they can record a workout video. Lawrence seems open to the idea of making dinosaur porn a regular thing. You are confident E will convince him eventually.
The bathroom doors are open, and people are coming and going to and from the next two units over on either side. Bottles of olive oil are open, and dinosaurs are drinking various flavors. No grocery store stuff. It’s fancy, imported, aged, likely intended for dinosaur consumption. You are told Italy has lots of dinosaurs living there, and growing olives is an ancient tradition which started with dinosaurs that humans valued, which explains a lot.
Most of the conversation is about one of two things: the sparring in two days, and the movie you and X have just finished editing. The two of you took extra time and care to record and edit it. Everyone is saying it’s not just a porno. It’s an arthouse indie picture, the first time they’ve done something like this. You are not worried about how the crowd will react. You were confident in it when it was merely words on paper, and having helped direct and edit the thing, you are even more confident in how it turned out.
After a couple hours of mingling and wine-sniffing and olive oil sipping, X migrates to the wall and dims the lights. That’s your cue. You pull the tape from its hiding place and switch on the TV. The dinosaurs gather around. The ones at the front nest on their bellies. The humans sit between them, some draping arms over backs and necks.
*
FADE IN: OFFICE SET
PROFESSIONAL COMMA (PC) is seated at the desk, currently on the phone. A line of 8 HUMANS is before him.
PC: “Thank you for calling. Your call is very important to us. How may I direct your call?” (pause) “I’m very sorry to hear that. Your call is very important to us. Please hold while I direct it to the appropriate department.” (pause. PC pushes a button.) “Thank you for calling. Your call is very important to us...”
Repeat the monologue as the camera shows CLOSEUP SHOTS of each person in line.
First person: a young woman, a thin scar on her cheek that is STILL BLEEDING. TRANSPARENT OVERLAY of this woman at home, a cat hopping in her lap, scratching her face.
Second person: a young man. TRANSPARENT OVERLAY of him waking up, picking up a revolver, playing Russian Roulette, and getting dressed after the gun clicks an empty chamber.
Third person: another young man. TRANSPARENT OVERLAY of him in front of the painted parking garage. SOUND OF SIRENS grows louder. He screams silently. OVERLAY CUTS. Man 3 screams again while in line, but no sound comes out of his mouth.
Fourth person: switch to her POV. The front desk is moving further and further away. CUT to closeup shot before moving to the next.
Fifth person: OVERLAY showing him sitting on a chair on the beach. He stands on the chair and spins. The beach is otherwise empty.
Sixth person: OVERLAY showing her meditating. ZOOM out to reveal she is in the middle of the road, cars are passing THROUGH HER.
Seventh person: OVERLAY of him sitting alone at a dinner table, pretending to cut a steak on an empty plate.
Eighth person: OVERLAY of him surveying his insect collection (shots of X’s containers of ladybugs and mantises). He looks inside, caressing each container as a lover would.
END MONOLOGUE
Now PC puts down the phone and addresses the first person in line.
PC: “Thank you for your patience. Your business is important to us. How may I assist you?”
First person steps up to the desk.
FIRST PERSON: “This is defective.”
She places a McDonald’s toy on the desk.
PC “I am sorry to hear that. Would you like to return it?”
FIRST PERSON: “No. It’s just defective.”
PC: “Thank you for your patience. Your business is important to us.”
First Person moves to the rear of the line. CLOSEUP of PC’s face.
TRANSPARENT OVERLAY showing the same line, but the people are in a different order, the person at the front moving to the back, then the next, then the next. The people never leave the line. END OVERLAY.
Second Person steps up.
PC: “Thank you for your patience. Your business is important to us. How may I assist you?”
SECOND PERSON: “Help me. Please.”
PC: “Thank you for your patience. Your business is important to us.”
Second Person moves to the rear of the line.
REPEAT this process for each person. Finally, the First Person is back at the front of the line and steps up to the desk.
PC: “Thank you for your patience. Your business is important to us. How may I assist you?”
FIRST PERSON: “This is still defective.”
PC: “Thank you for your patience. Your business is important to us.”
First Person moves to the back of the line again.
CLOSEUP OF PC’s FACE. TRANSPARENT OVERLAY of a wide shot of the entire line moving like this, over and over and over and over, lights off, lights on, lights off, lights on.
Several more iterations, and then camera cuts to the next person in line. It’s not Person Five. It’s OVER-MUSCLED-DINOSAUR (OMD, played by R, painted green for this role)
MULTIPLE CAMERA ANGLES pan over OMD’s body. Arms. Chest. Underbelly undulating and pulsing as he breathes. Legs. Dripping slit.
He approaches the desk.
PC: “Thank you for your patience. Your business is important to us. How may I assist you?”
OMD walks around the desk. PC does not follow him but stares ahead at the line. The humans standing in line do not seem to notice.
Various angles of OMD walking behind the desk, showing all of his muscles in motion. They are flexing an awful lot for this simple act of moving.
He sniffs PC.
He rakes his claws over PC’s shirt, tearing it off.
CLOSEUP SHOTS of OMD’s dripping slit, cock peeking from it and sliding out. His abdomen is also flexing. His arms are puckering his chest.
He stands over PC, pushing his head between his chest muscles.
PC (to Fifth Person): “Thank you for your patience. Your business is important to us. How may I assist you?”
Fifth Person steps forward. “I’m broken.”
PC: “Thank you for your patience. Your business is important to us.”
Fifth Person moves to the rear of the line.
OMD flexes his chest and pushes PC over. CLOSEUP shots of him ripping PC’s pants. PC is naked and hard.
CLOSEUP SHOTS of OMD’s penis sliding out, dripping everywhere, shoving into PC’s rear.
INTERCUT WITH: IMPROVISED SEX
PC: “Thank you for your patience. Your business is important to us. How may I assist you?”
The line continues as before, but with OMD fucking PC, CLOSEUPS of his bulging muscles at work. CLOSEUPS of his arm-thick cock sliding in and out of human ass. Leg muscles flexing unnecessarily as he thrusts.
OMD thrusts so hard PC’s head disappears between his chest muscles. CLOSE-UPS of this, utilizing the transparent glass desktop. QUICK CUTS to his chest pushing his arm muscles out. His legs are rippling like mountains during an earthquake as he slides in and out.
PC’s legs become weak, and now he dangles from the desk.
Person 8 moves to the head of the line
Person 8: I need someone to talk to about my problem.
PC’s voice is muffled.
OMD speaks: “Thank you for your -atience. Your -usiness is im-ortant to us.”
Line proceeds as before.
[IMPROVISED ITERATIONS while the cameras cut to OMD’s muscles in motion as he thrusts PC.]
PULL OUT, penis leaking everywhere.
OMD growls and grabs PC by the neck and DRAGS HIM AWAY.
The line stops. LONG SHOT of the entire line, empty desk. No one moves.
CLOSEUPS of their faces. Lights on. Lights off.
They GET OLDER as they stand there. CLOSEUPS of their faces aging.
One by one, they get older and older.
FIVE SEPARATE SHOTS each until they begin to collapse.
Lights on. Lights off.
Another one falls.
Lights on. Lights off. Lights on. Lights off.
Another one ages beyond recognition and falls.
The entire line is down. Three dinosaurs move in and scavenge the bodies.
ROLL CREDITS
https://www.goodreads.com/author/show/4539730.James\_L\_Steele