Nights of Firefall: Chapter 3
Greentext prose hybrid second person perspective switching by chapter wip in this chapter: vilka calls a meeting to get a look at the new blood. the stress of teth'ra's situation finally gets through to her.
AMS, Enter the Dragon
// // = scene switch \* \* \* = perspective switch chapter 2: enter the dragon mark and his three pokemon had been on the ship for five days now. the _s.s.
Nights of Firefall: Chapter 4
Greentext prose hybrid second person perspective switching by chapter wip in this chapter: vilka springs her plan to get in closer with tom, and tom struggles to cope with what he has lost.
Finding A Catgirl - Parts 16-32
Sayonara~~ john_ _###################### male & female first person perspective. switches
Nights of Firefall: Chapter 6
Greentext prose hybrid second person perspective switching by chapter wip in this chapter: teth'ra socializes with her new charges, and tom is reminded of the past notes: yes, these newer chapters are still fairly large by comparison to 1
Nights of Firefall: Chapter 8
Greentext prose hybrid second person perspective switching novel-length, by chapter in this chapter: tom questions his feelings, and teth'ra gets into a predicament notes: this one was a long time coming with a four month hiatus.
The Buzzing Hour
Greentext-prose hybrid second person perspective switching novella length summary: the mixed crew of united effort, a fortress eagle class bomber, fly in a raid against the bug infested ruins of anchorage.
Nights of Firefall: Chapter 5
Greentext prose hybrid second person perspective switching by chapter wip in this chapter: tom readies for battle as teth'ra meets her new squad and gains some new equipment.
Nights of Firefall: Chapter 7
Greentext prose hybrid second person perspective switching by chapter wip in this chapter: apologies are made, and teth'ra and tom finally get some time alone together notes: another one that while long as hell, i'm very happy with.
Exotic Meals Incorporated
Note: this story uses alternating perspectives, switching in and out of the main character's head at times, always denoted by a double-line of ellipses (that's... those things, for the uninitiated), and a switch from third-person, past-tense expression, to